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On Halloween, and the second day of Festival 8, Ghost is played in the middle of the third set. Dasino segue from Fluffhead has not been included. Page begins to work his way in using the clav. The solo section gets some nice Page loving and then a nice dose of Mike and Trey together. A webb little jam there.
The lead is MUCH better than the previous versions, tight and much more precise. During the pause we hear some Trey feedback, before he just decides to head into the drop on his own terms. Did he forget there were other people in the band? What the heck was that? Luckily the band catches up quickly and it is not a full train wreck. Virttual jam starts with some sectioned off measures and Fish begins to push the tempo.
Page gets real crunchy at the start of this jam. Trey starts to solo, web moves to some power licks at 3: Trey then decides to come away and begins to solo with a nice easy bluesy tone. After the power licks he played this sounds nice and easy.
Mike holds a steady casino throughout this section. As the interplay between Page and Trey takes stage, Mike anchors things co. Trey backs comm at 4: Mike gets noticeably stronger, then Trey re-enters with a higher pitched tone. This is has been a nice solid groove the band has build. Well played with some layering of textures and sounds.
So remember when Mike was laying low? Just providing some background? Well, with one switch of his rig, magic…. It adds a ton of power to this section and gets things moving. Page gets more funky on the clav and Trey plays some great chords on top. The jam went from nice, to super awesome. The band is once again locked in james bond luxury casino set everyone contributing nicely.
Page moves full time to the piano at 7: Page carves his mark and the counter sounds between and Mike and Page are incredible. When the jam breaks down at 7: The jam starts building as Fish pushes the pace. The casino virtual web com is locked in and I palms casino corporate doing this…. This dom awesome fast!!! Page is once again on top of his game. Every melody he comes up with is one that makes me smile.
There virtual not a drastic change to this section from the previous. In fact the build began before the 8: Another great move from Michael Gordon and he is once again is the catalyst to a different path. When Mike changes, Fish starts to work another beat in. It is unique, complex, and provides a interesting balance. Things are heading toward a peak. You can certainly feel it. He then comes away from it and drops a noooooooooooote at The nooooooote works wonders yet again and he follows this by repeating some high pitched licks.
The entire band is working as one, online casinos navaho leaving us with a wonderful sound. Page moves to the keyboards and repeats numerous melodies. The entire band goes nuts and builds to one final gorgeous peak. A gorgeous lick from Trey after the build. I LOVE that peak. It is rocking, blissful, and even a tad webb funky.
After Trey com a note at Fish continues to crush things for a while before moving to the cymbals. By about the Page moves back to the piano and then a fill from Fish at The jam breaks all the way down, and Mike finds an awesome bass line. Page drops a nice piano chord on top and it sounds like an awesome funk jam could break out. You can hear it from Everyone was on board!!
That got so awesome, so quickly! Instead Trey forces the return to the Ghost theme. Horrible rip chord there! From there, Trey forces the Ghost theme and our Ghost ends that way. I am not going to let that ugly Trey chord ruin my feelings for an otherwise great Ghost. The initial com is good but nothing special. It rocks, then builds, and hits just a beautiful peak. Had that funk jam at the end actually taken place, we could be talking about an all time version.
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